Lost Legends of Surf Guitar, Vol. 2 by Various cd new - eBay (item 380284490689 end time Nov-07-10 19:02:28 PST):
Lost Legends of Surf Guitar 2: Point Panic [Audio CD] Various Artists
Ships international. Cd/compact disc is brand new and sealed.
UPC 090771112729
Track listing
1. Sheriff of Noddingham, The - David Marks & The Marksmen (previously unreleased)
2. Fugitive - Jan Davis
3. Jack the Ripper - The Surfaris (previously unreleased)
4. Bongo Shutdown - New Dimensions
5. Point Panic - Jerry Cole
6. Burning Rubber - Gene "The Draggin' King" Moles
7. Stick Shift - The Trashmen
8. Shootin' Beavers - The Tornadoes
9. Travelin' - David Marks & The Marksmen (previously unreleased)
10. Boss Machine - Jan Davis
11. Moondawg - Rhythm Rockers
12. Latin'ia - Jim Waller & The Deltas
13. Ram Charger - The Del-Vetts
14. Walk, Don't Run - The Trashmen
15. Midnight Surfer - Jerry Cole
16. Gremmie, Pt. 1, The - The Tornadoes
17. Chicky Run - New Dimensions
18. Yep - The Surfaris (previously unreleased)
19. Banzai Washout - The Catalinas
20. Devil Surfer - Scott Engel
Details
Producer: Bill Traut, Dave Aerni, David Marks, Gene Moles, J King, Jim Economides, John Gardell, Mark Taylor, Richard Delvy, Robert J. Hafner, Terry Melcher, Tony Hilder
Distributor: E1 Distribution (USA)
Recording type: Studio
Recording mode: Stereo
SPAR Code: n/a
Album notes
Liner Note Authors: John Blair ; Ron Thums.
Recording information: 1962-1964.
Like its predecessor in the Lost Legends of Surf Guitar series, this serves up an assortment of instrumental surf rarities from the early '60s, all of the 20 tracks on this compilation recorded between 1962 and 1964. It's a little less impressive than the first volume, not for reasons that are too obvious, but just due to a general lower level of energy, imagination, and devastating riffs. For surf enthusiasts, however, it's not bad at all, and there are a good deal of names here that made their mark on rock history, even if the Trashmen and the Surfaris are the only ones who had surf music hits. David Marks & the Marksmen, for instance, led by just-ex-Beach Boy Marks, are represented by a couple of previously unissued 1963 recordings; Scott Engel, who did the 1963 single "Devil Surfer," would later become Scott Walker, as part of the Walker Brothers and then a solo star; Michael Lloyd was in the New Dimensions; Terry Melcher produced the Catalinas' "Banzai Washout"; and Jerry Cole was a prolific Los Angeles session man. There are also a couple of previously unreleased 1963 Surfaris cuts, though these are unremarkable covers of Link Wray's "Jack the Ripper" and Duane Eddy's "Yep." As is the custom on these anthologies, some tracks make bigger ripples than others, with some really tough and fast playing on Cole's "Point Panic" and Gene "The Draggin' King" Moles' "Burning Rubber." In contrast, Jan Davis' "Boss Machine" effectively slows the pace down to a cooler, moodier vibe, and Engel/Walker's "Devil Surfer"'s strings and wordless corny pop backup vocals are odd rejoinders to the manic laughs (of the devil, one supposes) that supply the tune's main gimmick. ~ Richie Unterberger
Sunday, October 31, 2010
Joe's Garage Act I (Japanese Import) [Limited]cd new - eBay (item 380284486567 end time Nov-07-10 18:46:20 PST)
Joe's Garage Act I (Japanese Import) [Limited]cd new - eBay (item 380284486567 end time Nov-07-10 18:46:20 PST):
Joe's Garage Act 1 (Limited Edition Japanese Mini LP Sleeve CD)
Ships international.
Cd/compact disc is brand new and sealed.UPC 014431059629
Track listing
JOE'S GARAGE ACT I:
1. Central Scrutinizer, The
2. Joes Garage
3. Catholic Girls
4. Crew S***
5. Fembot in a Wet T-Shirt
6. On the Bus
7. Why Does It Hurt When I Pee
8. Lucille Has Messed My Mind Up
9. Scutinizer Postlude
Details
Distributor: Ryko Distribution
Recording type: Studio
Recording mode: Stereo
SPAR Code: n/a
Album notes
Free from his Warner Brothers Records contract, Frank Zappa was able to issue new albums as frequently as he liked, which would turn out to be very frequently. Six months after the release of the two-record set Sheik Yerbouti, he was ready with the first LP in a three-record set, a cautionary concept piece about the adventures of a musician named Joe. In Act I, Zappa continued his fascination with road stories, ethnic stereotypes ("Catholic Girls"), and bathroom activities ("Why Does It Hurt When I Pee?"). But although his concern with government censorship would see a later flowering in his battles with the Parents Music Resource Center (PMRC), here he wasn't able to use it to fulfill a satisfying dramatic function. [The complete Joe's Garage was released as a double CD on Rykodisc on June 17, 1987.] ~ William Ruhlmann
Joe's Garage Act 1 (Limited Edition Japanese Mini LP Sleeve CD)
Ships international.
Cd/compact disc is brand new and sealed.UPC 014431059629
Track listing
JOE'S GARAGE ACT I:
1. Central Scrutinizer, The
2. Joes Garage
3. Catholic Girls
4. Crew S***
5. Fembot in a Wet T-Shirt
6. On the Bus
7. Why Does It Hurt When I Pee
8. Lucille Has Messed My Mind Up
9. Scutinizer Postlude
Details
Distributor: Ryko Distribution
Recording type: Studio
Recording mode: Stereo
SPAR Code: n/a
Album notes
Free from his Warner Brothers Records contract, Frank Zappa was able to issue new albums as frequently as he liked, which would turn out to be very frequently. Six months after the release of the two-record set Sheik Yerbouti, he was ready with the first LP in a three-record set, a cautionary concept piece about the adventures of a musician named Joe. In Act I, Zappa continued his fascination with road stories, ethnic stereotypes ("Catholic Girls"), and bathroom activities ("Why Does It Hurt When I Pee?"). But although his concern with government censorship would see a later flowering in his battles with the Parents Music Resource Center (PMRC), here he wasn't able to use it to fulfill a satisfying dramatic function. [The complete Joe's Garage was released as a double CD on Rykodisc on June 17, 1987.] ~ William Ruhlmann
Hollybilly Buddy Holly 1956 Complete Recordings 2CD new - eBay (item 380284432743 end time Nov-07-10 15:49:14 PST)
Hollybilly Buddy Holly 1956 Complete Recordings 2CD new - eBay (item 380284432743 end time Nov-07-10 15:49:14 PST):
Product Information
Title: Hollybilly- Buddy Holly 1956 The Complete Recordings [Import]
Format: Audio CD
Primary Artist: Buddy Holly
Release Date: 2008
Record Label: El Toro Europe/Zoom
Recording Type: 2 Disc
UPC: 8437003699559
Hollybilly- Buddy Holly 1956 The Complete Recordings [Import]
Buddy Holly | Format: Audio CD
Ships international.
Cd/compact disc is brand new and sealed.
UPC 8437003699559 stk 118121523102114425
El Toro Europe/Zoom
2008
Disc: 1
1. Baby, Won't You Come out Tonight?
2. Love Me (With Studio Chat)
3. Don't Come Back Knockin'
4. Midnight Shift
5. Blue Days, Black Nights
6. Rock Around with Ollie Vee [July 1956 Version]
7. Because I Love You
8. Changing All Those Changes [Clovis Demo Version]
9. I Guess I Was Just a Fool
10. It's Not My Fault
11. I'm Gonna Set My Foot Down
12. Rock-A-Bye Rock
13. Girl on My Mind
14. That'll Be the Day
15. Ting-A-Ling
16. I'm Changin' All Those Changes [Nashville Version]
17. Modern Don Juan
18. You Are My One Desire
19. Rock Around with Ollie Vee [November 1956 Version]
Disc: 2
1. Hony Tonk [Undubbed Lubbock Demo]
2. Good Rockin' Tonight [Undubbed Lubbock Demo]
3. Brown-Eyed Handsome Man [Lubbock Demo]
4. Bo Diddley [Lubbock Demo]
5. Rip It Up [Undubbed Lubbock Demo]
6. Blue Monday [Undubbed Lubbock Demo]
7. Blue Suede Shoes [Undubbed Lubbock Demo]
8. Shake, Rattle & Roll [Undubbed Lubbock Demo]
9. Ain't Got No Home [Undubbed Lubbock Demo]
10. Holly Hop [Undubbed Lubbock Demo]
11. Bo Diddley [Undubbed Clovis Demo]
12. Brown-Eyed Handsome Man [Undubbed Clovis Demo]
13. Have You Ever Been Lonely? #1 [Undubbed Lubbock Demo]
14. Have You Ever Been Lonely? [Fragment]
15. Have You Ever Been Lonely? [Fragment]
16. Have You Ever Been Lonely? #2 [Undubbed Lubbock Demo]
17. Gone [Fragment]
18. Gone #1 [Undubbed Lubbock Demo]
19. Gone #2 [Undubbed Lubbock Demo]
Product Information
Title: Hollybilly- Buddy Holly 1956 The Complete Recordings [Import]
Format: Audio CD
Primary Artist: Buddy Holly
Release Date: 2008
Record Label: El Toro Europe/Zoom
Recording Type: 2 Disc
UPC: 8437003699559
Hollybilly- Buddy Holly 1956 The Complete Recordings [Import]
Buddy Holly | Format: Audio CD
Ships international.
Cd/compact disc is brand new and sealed.
UPC 8437003699559 stk 118121523102114425
El Toro Europe/Zoom
2008
Disc: 1
1. Baby, Won't You Come out Tonight?
2. Love Me (With Studio Chat)
3. Don't Come Back Knockin'
4. Midnight Shift
5. Blue Days, Black Nights
6. Rock Around with Ollie Vee [July 1956 Version]
7. Because I Love You
8. Changing All Those Changes [Clovis Demo Version]
9. I Guess I Was Just a Fool
10. It's Not My Fault
11. I'm Gonna Set My Foot Down
12. Rock-A-Bye Rock
13. Girl on My Mind
14. That'll Be the Day
15. Ting-A-Ling
16. I'm Changin' All Those Changes [Nashville Version]
17. Modern Don Juan
18. You Are My One Desire
19. Rock Around with Ollie Vee [November 1956 Version]
Disc: 2
1. Hony Tonk [Undubbed Lubbock Demo]
2. Good Rockin' Tonight [Undubbed Lubbock Demo]
3. Brown-Eyed Handsome Man [Lubbock Demo]
4. Bo Diddley [Lubbock Demo]
5. Rip It Up [Undubbed Lubbock Demo]
6. Blue Monday [Undubbed Lubbock Demo]
7. Blue Suede Shoes [Undubbed Lubbock Demo]
8. Shake, Rattle & Roll [Undubbed Lubbock Demo]
9. Ain't Got No Home [Undubbed Lubbock Demo]
10. Holly Hop [Undubbed Lubbock Demo]
11. Bo Diddley [Undubbed Clovis Demo]
12. Brown-Eyed Handsome Man [Undubbed Clovis Demo]
13. Have You Ever Been Lonely? #1 [Undubbed Lubbock Demo]
14. Have You Ever Been Lonely? [Fragment]
15. Have You Ever Been Lonely? [Fragment]
16. Have You Ever Been Lonely? #2 [Undubbed Lubbock Demo]
17. Gone [Fragment]
18. Gone #1 [Undubbed Lubbock Demo]
19. Gone #2 [Undubbed Lubbock Demo]
Samhain - Wikipedia, the free encyclopedia
Samhain - Wikipedia, the free encyclopedia:
This article is about the Celtic holiday. For other meanings, see Samhain (disambiguation)
Samhain
Also called Samhuinn (Gàidhlig)
Sauin (Gaelg)
Oíche Shamhna (Gaeilge)
Observed by Gaels
(Irish people, Scottish people)
Neopagans
(Celtic Reconstructionists, Wiccans)
Begins Northern Hemisphere: Sunset on October 31
Southern Hemisphere: Sunset on April 30
Ends Northern Hemisphere: Sunset on November 1
Southern Hemisphere: Sunset on May 1
Celebrations Bonfires
Guising
Divination
Apple bobbing
Feasting
Related to Halloween, Calan Gaeaf, Calan Gwaf, All Saints' Day, All Souls' Day
Samhain (play /ˈsɑːwɪn/, /ˈsaʊ.ɪn/, or /ˈsaʊn/)[1] is a Gaelic festival held on October 31–November 1. The Irish name Samhain is derived from Old Irish and means roughly "summer's end".[2] A harvest festival with ancient roots in Celtic polytheism, it was linked to festivals held around the same time in other Celtic cultures, and continued to be celebrated in late medieval times. Due to its date it became associated with the Christian festival All Saints' Day, and greatly influenced modern celebration of Halloween.
This article is about the Celtic holiday. For other meanings, see Samhain (disambiguation)
Samhain
Also called Samhuinn (Gàidhlig)
Sauin (Gaelg)
Oíche Shamhna (Gaeilge)
Observed by Gaels
(Irish people, Scottish people)
Neopagans
(Celtic Reconstructionists, Wiccans)
Begins Northern Hemisphere: Sunset on October 31
Southern Hemisphere: Sunset on April 30
Ends Northern Hemisphere: Sunset on November 1
Southern Hemisphere: Sunset on May 1
Celebrations Bonfires
Guising
Divination
Apple bobbing
Feasting
Related to Halloween, Calan Gaeaf, Calan Gwaf, All Saints' Day, All Souls' Day
Samhain (play /ˈsɑːwɪn/, /ˈsaʊ.ɪn/, or /ˈsaʊn/)[1] is a Gaelic festival held on October 31–November 1. The Irish name Samhain is derived from Old Irish and means roughly "summer's end".[2] A harvest festival with ancient roots in Celtic polytheism, it was linked to festivals held around the same time in other Celtic cultures, and continued to be celebrated in late medieval times. Due to its date it became associated with the Christian festival All Saints' Day, and greatly influenced modern celebration of Halloween.
NIGHT SKY~HALLOWEEN PLEIADES
NIGHT SKY~HALLOWEEN PLEIADES:
Halloween and the Pleiades Look Up! Every year on Halloween night we can see the Pleiades star cluster also known as the Seven Sisters, almost overhead at midnight. They signal not only the night of the dead, but to some even the end of the world itself. The days at the end of October and the beginnng of November, when the Seven Sisters reign high overhead at midnight, are also considered by many to be hallowed days. The Seven Sisters reign over the Days of the Dead. Image: Star Gazer graphic made with TheSky Astronomy Software, adapted with Adobe Photoshop
Halloween at midnight is quite a sight, but to some it may cause a fright! Keep reading.
In 2010 the Pleiades culminate, reach their highest point at midnight, 12:00am PST November 20. Halloween morning waning Crescent Luna begins her ascent above the horizon at 1:15am with best views beginning around 3:30am. At this time blue-white Regulus, the heart star of Leo the Lion can be seen east of Luna. Click Moon Dances for a map and meditative reflections. The Pleiades are indeed potent. It is said that they direct the Light of God toward Earth. Perhaps as this occurs at critical times in the Earth's evolution, that which is not in alignment with the Light of God perishes. APOD: October 31, 2001 - Halloween and the Ghost Head Nebula Credit: Mohammad Heydari-Malayeri, (Observatoire de Paris) et al., ESA, NASA All-Hallowsmas was the name given around the end of the first millennium to All Saints Day, November 1, and All Souls Day, November 2. October 31 was "All Hallowed's Eve" or Hallow'e'en. The roots of these hallowed days go back to the Celts who celebrated Samhain at the end of October and the beginning of November. This was and is the time when the veils between the spirit world and physical world thin, a time when ghosts and spirit beings walk the Earth. It used to be a scary time, a time when people got frightened by the spirits and a time when they tried to hide and confuse the spirits by wearing costumes. Today, few people seem to see these spirit beings. Today, this is a time for children to dress in costumes and play trick or treat. It is also a time to honor our ancestors, release the old, foresee the future and understand death and rebirth. The Mexican culture embraces the Festival of The Day of the Dead, as a time of happiness, remembering, and much feasting. They believe that family members who have died return to their grave sites, so flowers and gifts are placed there. The date of this festival varies from town to town, ranging from the nights of October 31 through November 2, so the name in its plural form Los Dias de los Muertos is often used. Celebrate The Days of the Dead. Look Up and ponder the Pleiades. Create an altar and take the time to hallow the life of the spirit in and out of form! I'd like to know your thoughts about The Night Sky ... send me an email. May your Night Sky travelling always be filled with Celestial Delights and Treats! Susan Sun
Questions? Answers? Impressions? Login to WeCycle Wisdom SouledOut.org's Living Wise Blog |
Saturday, October 30, 2010
Old antique vintage 1920's bell for telephone in garage - eBay (item 380283908533 end time Nov-05-10 23:52:29 PDT)
Old antique vintage 1920's bell for telephone in garage - eBay (item 380283908533 end time Nov-05-10 23:52:29 PDT)
Old antique vintage 1920's bell for telephone in garage
In very good condition with wiring; works great.
This bell was leased from "Ma" Bell Telephone Company from
1928-1990. It had been used for many years
in a garage attached to a coin operated
phone that required 5 cents ( a nickel) in order to make a call.
Warning: these bells ring very loud.
They could be hooked up to your phone and used in various places
such as a large building, an outdoor area, a barn or garage at a farm,
in the country or similar locations--
anywhere you might need to have a very loud ringer.
heavy, weighs approx 15 lbs
iron frame housing:
11" height
3 mounting holes in frame
stamped on back of frame are serial numbers:
"P211280" and
"392L" (in red)
2 steel bells:
6" bell width
13" from bell to bell (width)
transformer is 5" diameter
condensor is 3 1/2" x 1 1/2"
kcmusicshop blogspot
twitter
Old antique vintage 1920's bell for telephone in garage
In very good condition with wiring; works great.
This bell was leased from "Ma" Bell Telephone Company from
1928-1990. It had been used for many years
in a garage attached to a coin operated
phone that required 5 cents ( a nickel) in order to make a call.
Warning: these bells ring very loud.
They could be hooked up to your phone and used in various places
such as a large building, an outdoor area, a barn or garage at a farm,
in the country or similar locations--
anywhere you might need to have a very loud ringer.
heavy, weighs approx 15 lbs
iron frame housing:
11" height
3 mounting holes in frame
stamped on back of frame are serial numbers:
"P211280" and
"392L" (in red)
2 steel bells:
6" bell width
13" from bell to bell (width)
transformer is 5" diameter
condensor is 3 1/2" x 1 1/2"
kcmusicshop blogspot
Friday, October 29, 2010
Thursday, October 28, 2010
Dr. John In The Right Place 1972 vinyl lp - eBay (item 380283306239 end time Nov-04-10 00:40:29 PDT)
Dr. John In The Right Place 1972 vinyl lp - eBay (item 380283306239 end time Nov-04-10 00:40:29 PDT)
Dr. John In The Right Place 1972 vinyl lp
Condition:Record VG Cover VG
Label:ATCO Records
Catalog#:SD 7018
Format:Vinyl, LP, Album
Country:US
Released:1972
Genre:Funk / Soul
Style:Bayou Funk, Soul, Funk
Tracklist/songs
Side 1
A1 Right Place Wrong Time 2:50
Guitar - David Spinozza
A2 Same Old Same Old 2:39
A3 Just The Same 2:49
A4 Qualified 4:46
A5 Traveling Mood 3:03
A6 Peace Brother Peace 2:47
Side 2
B1 Life 2:29
B2 Such A Night 2:55
B3 Shoo Fly Marches On 3:15
B4 I Been Hoodood 3:12
B5 Cold Cold Cold 2:37
This is a 12" vinyl record that plays at 33 1/3 rpm on a turntable/record player
Dr. John In The Right Place 1972 vinyl lp
Condition:Record VG Cover VG
Label:ATCO Records
Catalog#:SD 7018
Format:Vinyl, LP, Album
Country:US
Released:1972
Genre:Funk / Soul
Style:Bayou Funk, Soul, Funk
Tracklist/songs
Side 1
A1 Right Place Wrong Time 2:50
Guitar - David Spinozza
A2 Same Old Same Old 2:39
A3 Just The Same 2:49
A4 Qualified 4:46
A5 Traveling Mood 3:03
A6 Peace Brother Peace 2:47
Side 2
B1 Life 2:29
B2 Such A Night 2:55
B3 Shoo Fly Marches On 3:15
B4 I Been Hoodood 3:12
B5 Cold Cold Cold 2:37
This is a 12" vinyl record that plays at 33 1/3 rpm on a turntable/record player
Eddie Harris The Electrifying jazz 1968 vg+ lp - eBay (item 380283304528 end time Nov-04-10 00:27:17 PDT)
Eddie Harris The Electrifying jazz 1968 vg+ lp - eBay (item 380283304528 end time Nov-04-10 00:27:17 PDT)
Eddie Harris The Electrifying jazz 1968 vg+ lp
Condition: cover/record: used; vg+/m-
(cover has open shrink wrap) original inner sleeve also vg+
© 1968 Atlantic Recording Corporation Stereo SD 1495
Side 1 st-a-671167-mo
1. Theme in Search of a Movie
2. Listen Here
3. Judie's Theme
Side 2 st-a-671168-mo
1. Sham Time
2. Spanish Bull
3. I Don't Want No One But You
Jazz Music
This is a long playing vinyl record 12 in diameter that plays at 33 1/3 rpm/speed on a turntable/ record player
Eddie Harris The Electrifying jazz 1968 vg+ lp
Condition: cover/record: used; vg+/m-
(cover has open shrink wrap) original inner sleeve also vg+
© 1968 Atlantic Recording Corporation Stereo SD 1495
Side 1 st-a-671167-mo
1. Theme in Search of a Movie
2. Listen Here
3. Judie's Theme
Side 2 st-a-671168-mo
1. Sham Time
2. Spanish Bull
3. I Don't Want No One But You
Jazz Music
This is a long playing vinyl record 12 in diameter that plays at 33 1/3 rpm/speed on a turntable/ record player
Ink Spots,The Greatest Hits vinyl record lp - eBay (item 380283303668 end time Nov-04-10 00:19:52 PDT)
Ink Spots,The Greatest Hits vinyl record lp - eBay (item 380283303668 end time Nov-04-10 00:19:52 PDT)
Ink Spots,The Greatest Hits vinyl record lp
Condition: Record VG+ Cover VG+
Good Music Records Co
MSM 35051
1983 MCA Records
Tracks/songs
Side 1/One
1. If I Didn't Care
2. I'll Get By (As Long As I Have You)
3. The Gypsy
4. It's A Sin To Tell A Lie
5. My Prayer
6. Street Of Dreams
7. I Don't Stand A Ghost Of A Chance
8. Don't Get Around Much Anymore
9. I'll Never Smile Again
Side 2/Two
1. To Each His Own
2. We Three (My Echo, My Shadow And Me)
3. I Don't Want To Set The World On Fire
4. Maybe
5. I Cover The Waterfront
6. Do I Worry?
7. You Were Only Fooling (While I Was Falling In Love)
8. When The Swallows Come
9. Back To Capistrano
10. Always
Genres: R&B,Rhythm & Blues, Pop,Vocal
allmusic Biography by Bill Dahl
The Ink Spots played a large role in pioneering the black vocal group-harmony genre, helping to pave the way for the doo wop explosion of the '50s. The quavering high tenor of Bill Kenny presaged hundreds of street-corner leads to come, and the sweet harmonies of Charlie Fuqua, Deek Watson, and bass Hoppy Jones (who died in 1944) backed him flawlessly.
Kenny's impeccable diction and Jones's deep drawl were both prominent on the Ink Spots' first smash on Decca in 1939, the sentimental "If I Didn't Care." From then through 1951, the group was seldom absent from the pop charts, topping the lists with "We Three (My Echo, My Shadow, and Me)" (1940), "I'm Making …Read More
This is a 12" vinyl record that plays at 33 1/3 rpm on a turntable/record player.
Ink Spots,The Greatest Hits vinyl record lp
Condition: Record VG+ Cover VG+
Good Music Records Co
MSM 35051
1983 MCA Records
Tracks/songs
Side 1/One
1. If I Didn't Care
2. I'll Get By (As Long As I Have You)
3. The Gypsy
4. It's A Sin To Tell A Lie
5. My Prayer
6. Street Of Dreams
7. I Don't Stand A Ghost Of A Chance
8. Don't Get Around Much Anymore
9. I'll Never Smile Again
Side 2/Two
1. To Each His Own
2. We Three (My Echo, My Shadow And Me)
3. I Don't Want To Set The World On Fire
4. Maybe
5. I Cover The Waterfront
6. Do I Worry?
7. You Were Only Fooling (While I Was Falling In Love)
8. When The Swallows Come
9. Back To Capistrano
10. Always
Genres: R&B,Rhythm & Blues, Pop,Vocal
allmusic Biography by Bill Dahl
The Ink Spots played a large role in pioneering the black vocal group-harmony genre, helping to pave the way for the doo wop explosion of the '50s. The quavering high tenor of Bill Kenny presaged hundreds of street-corner leads to come, and the sweet harmonies of Charlie Fuqua, Deek Watson, and bass Hoppy Jones (who died in 1944) backed him flawlessly.
Kenny's impeccable diction and Jones's deep drawl were both prominent on the Ink Spots' first smash on Decca in 1939, the sentimental "If I Didn't Care." From then through 1951, the group was seldom absent from the pop charts, topping the lists with "We Three (My Echo, My Shadow, and Me)" (1940), "I'm Making …Read More
This is a 12" vinyl record that plays at 33 1/3 rpm on a turntable/record player.
The Dells ST self titled 1973 vinyl record lp - eBay (item 380283302931 end time Nov-04-10 00:11:24 PDT)
The Dells ST self titled 1973 vinyl record lp - eBay (item 380283302931 end time Nov-04-10 00:11:24 PDT)
The Dells ST self titled 1973 vinyl record lp
Condition: Record VG+ Cover VG
Dells, The The Dells
Label:Cadet Records
Catalog#:CA 50046
Format:Vinyl, LP, Album
Country:US
Released:1973
Genre:Funk / Soul
Style:Soul
Tracklist/songs
Side 1
1 Let The Feeling Talk To You 7:04
2 I Miss You 4:24
3 My Pretending Days Are Over 4:04
4 Let's Make It Last 4:09
Side 2
1 I Hear Voices 9:26
2 If You Move I'll Fall 4:55
3 Don't Make Me A Storyteller 4:12
This is vinyl record 12" in diameter that plays at 33 1/3 speed on a turntable/record player.
The Dells ST self titled 1973 vinyl record lp
Condition: Record VG+ Cover VG
Dells, The The Dells
Label:Cadet Records
Catalog#:CA 50046
Format:Vinyl, LP, Album
Country:US
Released:1973
Genre:Funk / Soul
Style:Soul
Tracklist/songs
Side 1
1 Let The Feeling Talk To You 7:04
2 I Miss You 4:24
3 My Pretending Days Are Over 4:04
4 Let's Make It Last 4:09
Side 2
1 I Hear Voices 9:26
2 If You Move I'll Fall 4:55
3 Don't Make Me A Storyteller 4:12
This is vinyl record 12" in diameter that plays at 33 1/3 speed on a turntable/record player.
Dave Dudley On The Road country vinyl lp - eBay (item 380283301542 end time Nov-03-10 23:59:19 PDT)
Dave Dudley On The Road country vinyl lp - eBay (item 380283301542 end time Nov-03-10 23:59:19 PDT)
Dave Dudley On The Road country vinyl lp
Condition: Record VG+ Cover VG
With Dick Williams
Featuring Link Wray and The Wraymen
Diplomat Records DS 6-68
**Guest Star** Country Western Series GS1449
SPC Newark, N.J. U.S.A.
Stereo
Side 1
1. Wouldn't Wait Around
2. Your Only One
3. Saving Your Kisses
4. Maybe I Do
5. Cryin' For The Moon
Side 2
1. Hillbilly Wolf
2. Darlin' Mine
3. Jade
4. Nursery Rhymes
5. I'm Not Dreaming
Genres: Country,honky tonk,truck driving music,Bakersfield sound music
This is a 12" vinyl record that plays at 33 1/3 rpm on a turntable/record player
Dave Dudley On The Road country vinyl lp
Condition: Record VG+ Cover VG
With Dick Williams
Featuring Link Wray and The Wraymen
Diplomat Records DS 6-68
**Guest Star** Country Western Series GS1449
SPC Newark, N.J. U.S.A.
Stereo
Side 1
1. Wouldn't Wait Around
2. Your Only One
3. Saving Your Kisses
4. Maybe I Do
5. Cryin' For The Moon
Side 2
1. Hillbilly Wolf
2. Darlin' Mine
3. Jade
4. Nursery Rhymes
5. I'm Not Dreaming
Genres: Country,honky tonk,truck driving music,Bakersfield sound music
This is a 12" vinyl record that plays at 33 1/3 rpm on a turntable/record player
SET OF 20 JUMBO BLACK HERITAGE USPS POSTCARDS 1998 - eBay (item 380283295433 end time Nov-03-10 22:58:31 PDT)
SET OF 20 JUMBO BLACK HERITAGE USPS POSTCARDS 1998 - eBay (item 380283295433 end time Nov-03-10 22:58:31 PDT)
SET OF 20 JUMBO BLACK HERITAGE USPS POSTCARDS 1998
Condition: Postcards VG+
Folding envelope that holds them has 2 tears at flap
"20 Jumbo Stamp Image Postcards Celebrating Black Heritage
Volume One 1700s to the Early 1900s"
The Walker Collection/ A'lelia Bundles
1998 USPS (Original retail $5.95)
UPC 400984600317
Size: 7" x 5"
1 Benjamin Banneker
2 Booker T Washington
3 Bill Pickett
4 Dr George Washington Carver
5 Frederick Douglass
6 Harriet Tubman
7 Henry O Tanner
8 Ida B Wells
9 James Weldon Johnson
10 Jim Beckwourth
11 Jan E Matzeliger
12 Madam C.J. Walker
13 Mary McLeod Bethune
14 Jean Baptiste Pointe Du Sable
15 Matthew Henson
16 Paul Laurence Dunbar
17 Salem Poor
18 Scott Joplin
19 Sojourne Truth
20 Pictures all 19 above
collectibles/postcards/cultures & ethnicities/black americana
SET OF 20 JUMBO BLACK HERITAGE USPS POSTCARDS 1998
Condition: Postcards VG+
Folding envelope that holds them has 2 tears at flap
"20 Jumbo Stamp Image Postcards Celebrating Black Heritage
Volume One 1700s to the Early 1900s"
The Walker Collection/ A'lelia Bundles
1998 USPS (Original retail $5.95)
UPC 400984600317
Size: 7" x 5"
1 Benjamin Banneker
2 Booker T Washington
3 Bill Pickett
4 Dr George Washington Carver
5 Frederick Douglass
6 Harriet Tubman
7 Henry O Tanner
8 Ida B Wells
9 James Weldon Johnson
10 Jim Beckwourth
11 Jan E Matzeliger
12 Madam C.J. Walker
13 Mary McLeod Bethune
14 Jean Baptiste Pointe Du Sable
15 Matthew Henson
16 Paul Laurence Dunbar
17 Salem Poor
18 Scott Joplin
19 Sojourne Truth
20 Pictures all 19 above
collectibles/postcards/cultures & ethnicities/black americana
Midnight Sun: Kansas City's Power & Light District kicks DJ Jazzy Jeff off stage - Nightlife: Baltimore’s music, bars, clubs, events and night scene from Erik Maza - baltimoresun.com
Midnight Sun: Kansas City's Power & Light District kicks DJ Jazzy Jeff off stage - Nightlife: Baltimore’s music, bars, clubs, events and night scene from Erik Maza - baltimoresun.com
June 8, 2009
Kansas City's Power & Light District kicks DJ Jazzy Jeff off stage
Acclaimed DJ/producer/performer DJ Jazzy Jeff (pictured) was kicked off stage less than 30 minutes into his Saturday night performance at the Power & Light District in Kansas City due to a dispute over his music.
Jeff said Power & Light management cut his set short because he was playing hip-hop, according to this piece by Jenee Osterheldt of the Kansas City Star.
In the article, Power & Light officials said they pulled the plug on Jeff's set because the volume level threatened to blow out their speakers and Jeff's people refused to turn it down.
Power & Light is owned by the Cordish Company, which also owns Power Plant Live. In the past year or so, Power & Light has caused quite a stir among Kansas City's African-American community, who accuse the entertainment zone of having racist policies.
True or not, this little scandal is only going to make that perception worse ...
Jeff said Power & Light management cut his set short because he was playing hip-hop, according to this piece by Jenee Osterheldt of the Kansas City Star.
In the article, Power & Light officials said they pulled the plug on Jeff's set because the volume level threatened to blow out their speakers and Jeff's people refused to turn it down.
Power & Light is owned by the Cordish Company, which also owns Power Plant Live. In the past year or so, Power & Light has caused quite a stir among Kansas City's African-American community, who accuse the entertainment zone of having racist policies.
True or not, this little scandal is only going to make that perception worse ...
This one quote in Osterheldt's piece really made me cringe:
"My road manager walked up to me and said they were having problems with the music I was playing," Jazzy Jeff told me. "I played three more songs and he comes back. I knew something was wrong. They said I had to kick [MC] Skillz off the stage, change the format of the music I was playing or quit. They said if I continued playing they had 30 cops ready to come escort me offstage. So I stopped."
That's insane!
Together, Jeff and Will Smith won the first Grammy award for hip-hop. I can't believe Power & Light officials would book him there and then kick him off stage for playing hip-hop. But I don't buy the volume excuse either. I seriously doubt that Jeff was playing too loud.
Towards the end of Osterheldt's piece, she writers that venue officials (who aren't named) say Jeff's set attracted "the wrong element."
The wrong element, eh?
Hmm.
(Photo by Joe Corrigan/Getty Images)
"My road manager walked up to me and said they were having problems with the music I was playing," Jazzy Jeff told me. "I played three more songs and he comes back. I knew something was wrong. They said I had to kick [MC] Skillz off the stage, change the format of the music I was playing or quit. They said if I continued playing they had 30 cops ready to come escort me offstage. So I stopped."
That's insane!
Together, Jeff and Will Smith won the first Grammy award for hip-hop. I can't believe Power & Light officials would book him there and then kick him off stage for playing hip-hop. But I don't buy the volume excuse either. I seriously doubt that Jeff was playing too loud.
Towards the end of Osterheldt's piece, she writers that venue officials (who aren't named) say Jeff's set attracted "the wrong element."
The wrong element, eh?
Hmm.
(Photo by Joe Corrigan/Getty Images)
4 men file $20 million lawsuit over Power & Light District dress code - NBCActionNews.com
4 men file $20 million lawsuit over Power & Light District dress code - NBCActionNews.com
In both incidents, the men say they saw similarly-dressed white men that were allowed inside.
The suit, filed by Williamson Law Firm, LLC, names the Cordish Company – the owner of the district, an affiliated company and Maker's Mark. They are seeking at least $20 million in damages.
Nearly since it opened in 2007, the district's dress code and its enforcement has been scrutinized. Last year, the Kansas City Council passed an ordinance regulating dress codes and what they could and could not enforce.
Even so, the lawsuit is not the first formal complaint against the district.
Nick Benjamin, Executive Director of the Kansas City Power & Light District, issued this written response on Wednesday:
“The Cordish Companies are not a proper party to this litigation. The Power & Light District welcomes millions of guests of every nationality, race and ethnicity every year and looks forward to continuing to welcome visitors to Kansas City’s vibrant downtown. The dress codes in the district are recommended as best practices by city agencies and legally permitted. The allegations contained in the lawsuit are baseless, and we are confident that the court will agree.”
4 men file $20 million lawsuit over Power & Light District dress code
- Video http://www.kshb.com/homedpp/news/local_news/4-men-file-$20-million-lawsuit-over-power-&-light-district-dress-code-#81302716-1
- Photo http://www.kshb.com/homedpp/news/local_news/4-men-file-$20-million-lawsuit-over-power-&-light-district-dress-code-#81302716-2
Related Links
- Class action suit filed against… http://media2.nbcactionnews.com/pdf/ClassActionVsCordishDressCode100804.pdf
Posted: 08/04/2010
- By: Aaron Heintzelman
KANSAS CITY, Missouri - The dress code at the Kansas City Power & Light District is once again under the spotlight, as four black men have filed a class action lawsuit claiming they were discriminated against when a security guard denied them entrance into a district bar.
The Kansas City Star reports three of the men went to the downtown entertainment district in August 2009 and were allowed into the KCLive Block, the common area in the middle of several bars and restaurants, but were not allowed to enter Makers Mark .
The suit says a security agent said one man’s shirt was too long and two others were wearing baggy clothes. A fourth man says he went to the district in September 2008 and was also denied access.In both incidents, the men say they saw similarly-dressed white men that were allowed inside.
The suit, filed by Williamson Law Firm, LLC, names the Cordish Company – the owner of the district, an affiliated company and Maker's Mark. They are seeking at least $20 million in damages.
"Williamson believes that the dress code adopted by the Cordish Company and its affiliates has been primarily enforced against minorities with the underlying intent of maintaining a mostly Caucasian patronage," the firm said in a statement posted on the Star's website .
The statement also says the suit alleges physical assault against the plaintiffs at the hands of security personnel employed by the Cordish Company.Nearly since it opened in 2007, the district's dress code and its enforcement has been scrutinized. Last year, the Kansas City Council passed an ordinance regulating dress codes and what they could and could not enforce.
Even so, the lawsuit is not the first formal complaint against the district.
Last November, seven black family members filed a Charge of Discrimination complaint with the Missouri Commission on Human Rights against the district, saying they were not allowed to enter Mosaic Lounge because of how they were dressed.
A report issued later that month said the district’s dress code was not uniformly enforced.
In May, Kansas City human relations officials said Cordish had quietly relaxed portions of the dress code and had taken steps to address claims of unfair treatment.Nick Benjamin, Executive Director of the Kansas City Power & Light District, issued this written response on Wednesday:
“The Cordish Companies are not a proper party to this litigation. The Power & Light District welcomes millions of guests of every nationality, race and ethnicity every year and looks forward to continuing to welcome visitors to Kansas City’s vibrant downtown. The dress codes in the district are recommended as best practices by city agencies and legally permitted. The allegations contained in the lawsuit are baseless, and we are confident that the court will agree.”
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I have a feeling its another case of the Media blowing something out of proportion and not reporting all the facts.
But I may be worng.
It is going from Bad to Wors and I think it is time for the NAACP to get involved. They have to know we are not back in the "slavery" days.
If people seriously think that Jazzy Jeff brings in a "bad element" then it is time to free the prisoners held unjustly all across America. I'm tired of racist white people and their "race card"
More like a house of cards tumbling into the sea....
Step 1. KC LIVE needs to get a sound engineer to run their music systems and if you are having a DJ come in, please update your limiters and compressors. Please use at least 1 brain cell.
As far as the commentary, and details. I haven't been to KC Live but I have been to clubs that said word for word exactly what I am reading.. (Hell entire clubs shut down for a month where I am at just to end hip hop music) Only to realize that big crowds = some form of drunkery and violence regardless of the music. As far as the dress code goes, I have DJ'd in large upscale high end establishments and rocked the best hip hop music all night but still had a dress code (even for myself) I guess if there is an area of high crime they presume that a dress code will fix it. Who knows if this is right. I enjoy dress'ng up in a suit and tie when I go out and so does hip hop icons like Jay Z, and P-Diddy. Whats wrong with looking good? If all they asked for patrons to dress up is that half bad?
On to Jazzy himself. Who knows what really happened, but to blame the sound system on the "DJ" is implausible, impractical, and erroneous. The DJ should never ever ever ever ever be in charge of the entire PA system for an entire venue. That's like asking the lead singer of Creed to "run your own sound" mix the whole thing yourself. Huh? That doesn't happen so to blame this on the DJ is crazy. I've DJ'd in many venues where the sound system sucked, or the live sound engineers were awful, and many where I knew more than the engineers themselves, but never has there been a venue where the DJ has been 100% in charge of the PA. Typically the DJ goes into the main mixing system where "THE VENUES PEOPLE" control the final mix. If that's not how its setup at KC Live then that's how it should be immediately. I hung out and saw Z-Trips set 2 weeks ago and his set is every bit as loud as Jazzy's. The only difference is that Z-Trip plays more hip hop/rock mashups which might have gotten him through his set unscaved. But if KC Live didn't know what they were getting with Jazzy, blame it on the prommoooottaaeerrr.
P.S. to assume hip hop is 100% any race is incorrect, i'm just as offended about him being pulled as anyone else, white, black etc.. If I get booked to play what I play and then they tell me to change up my style, I'm gonna be mad. Period. Lets ask Alien Ant Farm to play Tenacious D in a few weeks or better yet, pull them off stage for playing michael jackson... Lets be real. Someone made an incorrect move now the whole world is watching.
http://videos.kansascity.com/vmix_hosted_apps/p/media?id=4448644&f=mokas
Blacks shoot boycott them period!!!
Power and light will be short lived with this type of treatment
Big deal. Get over it.
They may go through some ups and downs but they will survive. Look at the Power Plant Live!
Yeah, right, If these were still the "slavery" days, this would be a non-issue. You wouldn't even consider ever getting into the place because you could expect to have the [crap] beaten out of you for trying.
Get real, there are certain aspects of Black culture that comes off as gutter class and even if it is only 5% of Black youth and young adults, they still are visible enough to ruin it for everyone else.
I'd bounce someone off stage for grabbing their crotch as part of the entertainment and challenge them for how loud the music was playing as well.